Getting Over Environmentalism: Live Web Event with Paul Kingsnorth, 1/18
January 05, 2012, by Orion staff
UPDATE: Listen to the audio recording of this event.
Has environmentalism lost its way? What does sustainability really have to do with a healthy planet? Please plan to join a dialogue with Paul Kingsnorth, author of “Confessions of a Recovering Environmentalist” in the January/February 2012 issue of Orion, on January 18th, at 4 p.m. Eastern, 1 p.m. Pacific.
According to Kingsnorth, environmentalism has effectively died: it’s not only been absorbed by the political left, which has diluted its ecocentric message; it’s also become enamored with “sustainable economics,” which, according to Kingsnorth, amounts to business-as-usual without the carbon. Has the movement’s original deep connection to nature been lost? Are green projects doing more harm than good? Kingsnorth will be joined by authors Lierre Keith and David Abram to discuss and expand on these thoughts during this live web event. This event is free and open to all, but registration is required—please register here.
Orion hosts live web events every month. Sign up here to be alerted by e-mail when a new one is announced.
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The fir tree stands in the bay window, still fragrant with the spice of the forest. Boxes of ornaments litter the floor. Laughing and bending over the work, every adult in the family is trying to untangle strings of Christmas lights. A tiny girl practices walking backward, beeping like a truck. She backs into a cardboard box. Reaching out small hands, she pulls open the flaps. There, tucked into tissue paper, lies an angel—brown curls, pale feet, and wings made of white feathers. The child pokes at the wings.
Oil on Water came about accidentally. I was contacted by a film company in the UK to write a script on oil pollution and violence in the Nigerian Delta, which reached its peak in 2007. I had been to the Delta before, and as a Nigerian I was quite conscious of the topicality and the seriousness of the problem, but I had never thought of writing on it. It was just too murky, and often it wasn’t easy to tell the good people from the bad people. I told the film company so, and their reply reminded me again of how important it is to always remain engaged, of the necessity of art to always be on the side of the people. They said, If you don’t tell the story, who else will? Shell?
