Moeko Fujii is a writer and critic whose work has appeared in The New Yorker, Aperture, the Criterion Collection, and elsewhere. She would like to thank Jeewon Yoo for his help in putting this essay together.
Watching a movie can sometimes feel like swimming backstroke. You spend minutes suspended between boredom and curiosity—Why won’t the sky move?—until you stop thinking and become something else, a rhythm. It’s Continue reading
Art & Craft
On the trail of the real in The Long Goodbye. Continue reading